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Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here


CHARING CROSS THEATRE

(formerly the New Players Theatre)
 

Monday 1st April until Saturday 25th May 2013
THE BILLIE HOLIDAY STORY
Monday to Saturday at 7.30pm
Runs 2 hours approximately.
£35, £29.50, £24.50 (rear stalls), £20 (balconies), £12.50 (benches)
A mixture of songs and stories from Billie Holiday’s life in a one-woman show by and starring Nina Kristofferson.

Thursday 18th until Wednesday 31st July 2013
Press night: Wednesday 24th July 2013
Peter Frosdick Productions and Paul Nicholas present the West End premiere of:

WAG! THE MUSICAL
Monday to Thursday at 7.30pm
Friday at 5pm and 8pm
Saturday at 3pm and 7.30pm
£42.50,
£32.50 (rear stalls), £30 (balconies), £17.50 (benches)
Book by Belvedere Pashun
Music and Lyrics by Grant Martin, Thomas Giron-Towers and Tony Bayliss
Directed and Staged by Alison Pollard
Lighting Design: Simon Lord
Sound Design: Peter Hargreaves
Set Design: Charles Camm
Produced by Peter Frosdick and Paul Nicholas
Starring Olivier Award-winner Tim Flavin and featuring a special guest appearance by Ariadne the Greek Wag.
WAG! The Musical is a contemporary comedy musical set in a major city centre department store, starring Olivier Award-winning Tim Flavin and featuring a high-octane score of memorable songs and glamorous characters straight out of the pages of Hello and OK! magazines.
The show follows a day in the life of best friends Jenny and Sharron, two working class girls making ends meet working on the cosmetics counter of a bustling high end departmental haven. Encountering daily the widest range of customers, from the aspiring plain Jane to the all-conquering entourage of WAGs, Jenny longs for escape and fulfilment. As mistress to a premier league superstar, she has tough decisions to make, whilst girl-next-door Sharron battles to retain her friend and control her own reciprocated and forbidden affections towards a new colleague. Added to the mix is an array of adulterous males, scandal, and fading hopes of lasting happiness. All of which is lorded over by an acidic queen, and played out against the backdrop of a red carpet fashion launch extravaganza!

 

Theatremonkey Opinion:
Not available.


 

Your Reviews: Add your own by clicking here.
Important: Some reviews below can contain "spoilers" - please don't read if this bothers you!

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Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Performance Schedule:
The monkey advises checking performance times on your tickets and that performances are happening as scheduled, before travelling.

See under individual production.


 

Ticket Prices:

Offers May be available - Click Here

See under individual production.


 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Buying Tickets Online:

Other Box Office Information

Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems. Offers may be available click here.
Theatre Box Office:
www.charingcrosstheatre.co.uk
Sales are handled by their own website.
 

Booking fees per ticket for online bookings:
This varies by event, usually with a £2 booking fee per booking, not per seat.

Other Online Choices (with S.T.A.R. genuine ticket agencies):

Independent S.T.A.R. ticket agencies may also offer an alternative choice of seats.
 

Box Office Information:
Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems. Offers may be available click here.
Theatre Box Office:
Telephone: 08444 930 650
Answered by either the venue's own Box Office or the phoneroom of Lovetheatre.com.

 

Booking fees per ticket for telephone bookings:
Usually £2 per booking, not per seat, booking fee.

 

For personal callers: The Arches, Villiers Street, London. WC2N 6NG
No booking fee for personal callers. This box office is open from 2 to 3 hours before performances - roughly 5pm usually, on performance days only.

 

Special Access Needs Customers:
Wheelchair users and other registered disabled theatregoers can book their seats on 020 7930 5868 and enquire about concessionary prices that may be available to them. If the wheelchair users line connects to an agency, you should ask to be transferred to the venue if required. See Notes.

www.charingcrosstheatre.co.uk is the official theatre website.

 

 
 
Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Theatre Seat Opinions:
Please remember that cheaper seats often do not offer the same view / location quality as top price ones, and that ticket prices are designed to reflect this difference.

 

Seating Plan Diagram

Stalls Side Balconies Notes
STALLS 
Layout:
This consists of a front and rear block of seats, the division being a wide aisle in front of row K.

From row D back, the seats are raked (arranged to help see over rows in front) by means of steps (as in a Circle) rather than a sloped floor.

Rows L to N seem to have a slightly shallower tiering than row P back. 

Seating is a warm "plum" colour that should hide the stains, thinks the monkey!

Legroom:
Pretty generous to all but the tallest in rows A and K - the tallest should pick K.

Just about adequate in all other rows, slightly more in row X.

Choosing Seats in General:
If all seats are sold at a single price, monkey advice is rows G to K first, then F, E, D, then A or L back, in that order.

Otherwise, it would normally take F, E, G then D, in that order, seats 3 to 10 being most central.

Moving back in this block, rows H to J seats 3 to 10 offer good views too, being about a third of the way back and just adequately raked to look slightly down on the stage. Before buying in the rear of the front block, though, it might just be worth considering the row behind...

...the front row of the rear block of seats. Row K, as the theatre have named it, is on a wide aisle and looks over the block in front and down onto the stage at comfortable height. The combination of nobody in front, a lower price and extra legroom makes the monkey feel this is the row it would choose.

Moving further back, rows R and S seem a little further from the stage, so when all seats in the section are the same price, try for further forward.

General Hazard Notes:
Row A looks directly up at the low stage. A few may find it a bit of a neck ache, but compared to other theatres, there is little problem, and inventive pricing can often make them pretty good value, in monkey opinion.

The front block of seats consists of rows A to J. Rows A to C are on a flat floor. Though staggered to allow viewing between the seats in front, the shorter visitor - especially children - would probably be advised to avoid rows B and C completely, just to guard against having anyone tall in front of them.

The final two rows (W and X) are divided by a wall with space to place a drink on it. For those in row W, this could mean a shower as well as a distant view of the stage. Behind, in row X, this means a comfy place to enjoy refreshments and the show at the same time - provided you are tall enough to see over the wall! 

Row X has two extra problems worth noting. A sound desk is normally directly behind the central seats, and behind that is a bar serving drinks and refreshments. This means double noise from technicians both audio and alcohol service proficient. Not an atmosphere the monkey feels it would enjoy watching a show in. At a low price, though, the monkey feels it fair value.

Changes for the current productions:
None.

Reader Comments:
None.

 

Stalls Benches
Layout:
Either side of the front stalls, two raised alcoves containing benches.

There is only one row in each bench area, but it will be called "row A" in the computer booking system...

Legroom:
Just adequate for most.

Choosing Seats in General:
If sold, they are often a cheap option. At second price or above, there are better seats available.

The seat furthest from the stage has the best viewing angle.

General Hazard Notes:
About a quarter of the rear stage is missed from here.

Be willing to arrive early to stake your claim to a portion of bench.

Entry is from one end of the row only - may be claustrophobic for some if seated at the other end of the row.
 

Changes for the current productions:
None.

Reader Comments:
None.

 

SIDE BALCONIES
Layout:
Above the stalls, along the longest side walls run narrow balconies. These overhang the stalls aisles, and so do not interfere with the view from the seats beneath.

Seats are arranged in single file, one behind the other, and are not raked.

Legroom:
Good in all seats.

Choosing Seats in General:
Around a fifth of the nearest side of the stage is not visible from these seats. Factor in the problem of those in front of you leaning outwards to see more, and anyone seated here may have a hard time enjoying the show...as well as needing an appointment with a physiotherapist at some point!

Wheelchair users are seated in Balcony 1. The monkey isn't sure how a user would see very well from this position, though - a plinth or cushion may well help here.

General Hazard Notes:
A low bar runs across the front - the view is not affected in the least by it... but to see anything, you lean outwards over the edge - makes a change from leaning forwards, felt the monkey. If somebody ahead of you is leaning too far, you see less.

Seats are not raked to see over those ahead.

Changes for the current productions:
None.

Reader Comments:
None.

 

Notes
Total 276 seats.

Air conditioned.

Wheelchair access is flat from the foyer to the viewing position in Balcony 1. The entrance door is wide, and the disabled toilet is close by on the same level. The only problem is that part of the street outside is cobbled, making pushing harder. Steep stairs down to the auditorium may make access for transferees difficult. Guide dogs are welcome. A "venue access guide" from the team who created book "Theatremonkey: A Guide to London's West End," is available to download in PDF format by clicking here. The listing is under the old name - New Players Theatre. During office hours, theatre administration staff can assist with disabled bookings ONLY on 020 7930 5868. Please DO NOT use this telephone number for any other purpose.

No food except bar snacks in the auditorium, but a full restaurant is available adjacent, open until 2.30am with live music on many nights.

Two bars, Rear stalls (opening into the auditorium) and foyer.

3 Toilets in all. 1 ladies, 1 Gents, 1 unisex disabled.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Getting to this Theatre
Find this theatre on a Street Map
Nearest Underground Station Buses Car Park
Nearest Underground Station:
Charing Cross - Bakerloo (brown) and Northern (black) lines. Also Main rail network terminus.

Leave the station by following signs from the platforms to the STRAND street exits. Walk straight ahead into the underground shopping arcade and keep going straight on into the light. If, underground, you pass Davenports Magic shop, turn around and walk the other way.

Take the right-hand staircase up to street level. At the top of it, you should see a semi-pedestrianised street sloping downwards to Embankment underground station. If you see instead a very busy road, the Strand, with Brook Street Employment Agency to your right, turn around and face downhill instead - you took the left instead of the right hand side stairs.

Walk downhill a very short distance, looking up and to your left for a silver, semi circular sign with "The Arches Shopping Centre" on it. 


This juts out over the street and marks the entrance to the tunnel where the theatre hides. At street level, a small sign to the right of the tunnel entrance confirms that you have the correct place.

Below the silver sign is a wide, brownish, sloping path into an area of small shops and restaurants - all snugly tucked into this railway arch beneath the station bridge above.


Walk almost to the end of the shops, and the theatre entrance is to your left.

 

Buses:
3, 11, 12, 24, 29, 53, 77, 77A, 88, 159, 170, 172  stop nearby.

 

Taxi:
A rank for Black taxis is at Charing Cross Station - a short distance from the theatre up hill via Villiers Street. Best chance of hailing one in the street is to walk down the tunnel to Northumberland Avenue and / or on to the Embankment.

 

Car Park:
Spring Gardens. On leaving the car park walk into Trafalgar Square. The first major road you come to is Whitehall. Cross it, and head on round, crossing Northumberland Avenue and continuing past Waterstones bookshop. Bearing to your right, enter a busy street called the Strand.

To your right will be Charing Cross Railway Station. Don't be tempted to enter it, just stay outside the railings and walk past it (mind the taxis as they enter and leave). 

Keep going to the far side of the station. At the corner of it, to your right, is Villiers Street. The Brook Street Employment Agency ahead of you on the corner will confirm it - don't walk any further than this blue fronted landmark!

Villiers Street  is semi-pedestrianised and slopes downwards to Embankment underground station. Turn right into it, and walk around the stairs set into the centre of the street - they lead to the underground station, and nowhere else. 

Walk downhill a very short distance, looking up and to your left for a silver, semi circular sign with "The Arches Shopping Centre" on it. This juts out over the street and marks the entrance to the tunnel where the theatre hides. At street level, a small sign to the right of the tunnel entrance confirms that you have the correct place.

Below the silver sign is a wide, brownish, sloping path into an area of small shops and restaurants - all snugly tucked into this railway arch beneath the station bridge above.

Walk almost to the end of the shops, and the theatre entrance is to your left.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

 

 

 

 

 

 

 

 

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