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NEW LONDON THEATRE |
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Click Here to buy the NT production Cast Recording CD
Click Here to buy the "Making Of" book of the production.
WAR HORSE (play)
Albert's beloved horse is requisitioned for the army in
World War One. Too young for the trenches, Albert still embarks on a dangerous
mission to find his horse and bring him home. Michael Morpurgo's novel is
adapted by Nick Stafford.
This production, first seen at the National in 2007 and revived in 2008 now
moves to the West End by popular demand.
View video clips about this production.
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Theatremonkey Opinion: |
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Not available. 2007 production reports are that the
depiction of both horse and place are outstanding, the acting strong, but the
script drawn from the novel a little too full of happy narrative-driving
coincidences to be totally credible. Still, this is an ensemble piece that when
working at its peak seems to have been found deeply moving by the professional
reviewers. "Something to interest young people in theatre" seems to be the (in a
non-patronising way) conclusion.
This transfer sits well at the New London, too, with sometimes greater impact in
the smaller space. The horse puppetry remains a highlight, and there is much to
enjoy (and admire) about the story. An evening for contemplation as well as
education.
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Important: Some reviews below can contain "spoilers" - please don't read if this
bothers you!
The latest four reviews are below. For earlier ones,
click here.
Some reviews may refer to cast members who
have left the production.
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My twin girls and I went on 26th August 2009, having read the book
and being optimistic despite a poor experience at another show 3
days before. The theatre was superb, the staff brilliant and the
seats (Stall O 31 to 33) were really very good indeed. I am over 6ft
and had decent leg room as well as a splendid view and the full
effect of the lights and sound. The play was simply superb. The
stars being the horses and also the German lead - who acted with
such passion. A wonderful event which has one warning - reads the
book before you see the play.
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My family and I went to see a matinee performance of War Horse on
Thursday, August 27th 2009. I loved the play, everything about it,
but of course horses especially were amazing, even though you can
see the people controlling them, you really believe it's a real
horse. There was a standing ovation when the horses came on at the
end for the bows.
Me and my two younger sisters sat in H 8, 9 and 10. These seats are
normally £35, but £25 if you’re under 18 / look a bit like you might
be under 18, at the matinee performances. These seats were great,
really close to the stage and you still see everything even though
you’re off to the side. However, for £35, I would say it might be
better to go to the seats next door ( 5, 6, 7) and pay £10 less, or
pay £10 more and sit in the middle. My parents and older sister
(can’t get away with pretending to be under 18) sat in I 5, 6 and 7,
and they said these seats were great too, with a good view. I would
say that it’s definitely worth sitting in the stalls for this
production because it’s all about emotions and the horses, so it’s
great to get a close-up view. I’d definitely go the side seats
rather than similarly priced seats in the circle.
Just to add, it was kids week when we went, which I didn’t realise
when I booked and I was a bit worried when we got there and there
were so many children sitting around us that there might be annoying
noise (I know this makes me sound like a grumpy old person, I’m
actually only 19, but I hate people talking at the theatre). But
there was no problem at all from any of the children, not a peep.
The woman sitting next to me, however, was such a pain. She kept
making comments... “o that’s so sad”, “o that’s a tank”, “look at
that horse” aaargh. Even the man she came with seemed to be annoyed
by this inane chatter.
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I went to War Horse yesterday (17th September 2009) with my old
friend from primary school. We were in Row A 5 and 6 so second row
and on the aisle, which were perfect seats being so close to the
action with at one point having the two Tommies sitting on the edge
of the stage right by us.
My wife used to have horses, and both the horses (and foal at the
start) was so like them in movements that they were breathtakingly
accurate in their performance. Just like a real horse acts when it
is frightened; inquisitive; thirsty; and the reaction to breaking in
was great if inevitably rather quicker than it would be in real
life.
Anyone who has served in the forces would also indentify with the
enlistment and drill etc. It really highlights the end of the so
called glamour of war. There was nothing glamorous about the
trenches and the mud as any visit to the trenches at Ypres well
demonstrates.
My wife would love the first part of the show, but as a pacifist
there is no way I would be able to persuade her to go to see "War
Horse." I am sure, though, the majority of my theatre goers will be
bowled over by it and it will surely put any youngsters off wanting
to go to war if they have any sense.
As mentioned in previous comment the lead actor playing Albert had a
very strange accent that was somewhere between his Mothers obvious
Irish and what was presumably an attempt at a Devon accent but the
passion of his performance overcame any slight problem with the
accent.
I was so impressed with the whole show I made enquiries as soon as I
got home about booking for a group in January 2010.
Second visit, January 2010: Following my earlier report in September
I took my coach group yesterday (the demand for tickets from my
group was such that I had over 40 'reserves' so have booked another
coach group for July 15th, I think it must have been The Queen and
Prince Phillip giving the show Royal Approval by attending
unnanounced, I think in November, and sitting in the stalls, that
has created such public awareness, there are no boxes - not even a
royal one). This show must now be one of the major theatre
attractions currently running in London. I tried to buy just one
more seat last week but there were none available, not even just one
and when I enquired about booking for a second coach back in early
January there were no decent seats available for mid week matinee
groups before June, hence July.
My wife did come and I think she tried to shut her eyes and mind to
the particular horrors of the bloodiest of all Wars but even she was
full of praise for the horses and the incredible accuracy of how
horses react when they are inquisitive, nervous, frightened or just
hungry and thirsty. You just have to see it to understand or believe
it. A previous comment was that the story line is too sugary in
coincidences but if it did not have the story line as it is it would
be just too much to be able to bare for many people and they would
not be leaving the theatre, yes wiping tears from their eyes, but
also with smiles and sighs of satisfaction of just having witnessed
probably the most dramatic, emotional but also funny theatre
experience they have ever had.
For soldiers to survive and still remain sane 'trench humour' was
essential to raise spirits and there is much to lighten the mood led
by that incredibly endearing goose who anyone who has ever lived or
stayed on a farm with loose running geese will totally identify
with. Anyone old enough to remember the film 'Friendly Persuasion'
might feel that this goose was straight from that film.
Don't miss this show, it really is a mind blowing experience as
everyone on my coach said as they got off last night. I've seen it
twice and can't wait to go again with my second group in July.
_______________________
25th January 2010: I cannot recommend this superb show enough, I
have to admit that one first impressions I was a bit dubious about
life-size puppets bounding around the stage but my interest in both
World Wars led me to take the plunge and buy the tickets. Am I glad
that I made the decision, even though your one part of your brain is
telling you it's just puppets on stage another part of your brain
allows the actors controlling them to fade away from your view and
in front of you are "real" horses, birds and a goose with great
comedy timing.
It would appear that the book / play is being used at school so
there were a few coach parties at our performance, I have to admit
that it did concern me at first as I've had in the past bad
experiences with teachers not controlling their students during
performances so it ruins it for the other audience members. However,
didn't have to worry at all this time as soon as the play began
there wasn't a peep from the school kids sat near us.
I'm unable to find any fault with the production, the whole cast
were fantastic especially the two actors who played Albert and the
lead German who gave such amazing, emotional performances. So
emotional that a number of the school party sat behind us were in
tears, as too was a lady sat next to me. It's not difficult to see
why either, the actors controlling the puppets must have studied in
detail how horses behave as the puppets appeared to be real animals
so it's rather easy for the audience to build up an emotional
attachment.
Me and my brother were sat in the stalls, seats J24 & J25 and we
cannot complain about either the view or comfort as there's plenty
of legroom and it gave us a great view of the stage.
I've read that War Horse has now extended it's run until February
2011, I can't rule out another visit at some point to see this
amazing production. Do yourself a favour and if you want to see
theatre at it's best book yourselves a seat for War Horse, you won't
be disappointed.
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The monkey advises checking performance times on your tickets and
that performances are happening as scheduled, before travelling.
Mondays, Wednesdays, Thursdays, Fridays and Saturday at 7.30pm
Tuesdays at 7pm
Thursday and Saturday at 2.30pm and 7.30pm
Runs 2 hours 40 minutes approximately.
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View this information in
diagram form
All performances from 14th February until 23rd October 2010:
Stalls
All seats £49.50 except:
Row E 3, 4, 5, 39 to 42; F 5, 6, 7, 43 to 46; G 6, 7, 8, 45 to 48; 8, 9, 10, 48
to 51; I 8 to 11, 55 to 58; J 54. 55: £37.50
Row E 2, 43, 44, 45; F 3, 4, 47 to 50; G 2 to 5, 49 to 54; H 2 to 7, 52 to 58;
I 3 to 7, 59 to 65: £25
Row I 1, 2, 66, 67: £15
A limited number of seats in central row L plus E25
to 30 and F 31 to 34, may be
sold at "Premium" prices (£80) at all performances.
Dress Circle:
All seats £49.50 except:
Row A 23 to 70: £37.50
Row A 16 to 26 and 67 to 77; B 17 to 29 and 72 to 84; C 1 to 4, 50 to 53: £25
Row A 6 to 13 and 80 to 87; B7 to 14 and 87 to 94: £15
Row A 14, 15, 78, 79; B 15, 16, 85, 86: £10
All performances from 25th October 2010 until 12th February 2011:
Stalls
All seats £49.50 except:
Row E 3, 4, 5, 39 to 42; F 5, 6, 7, 43 to 46; G 6, 7, 8, 45 to 48; 8, 9, 10, 48
to 51; I 8 to 11, 55 to 58; J 54. 55: £39.50
Row E 2, 43, 44, 45; F 3, 4, 47 to 50; G 2 to 5, 49 to 54; H 2 to 7, 52 to 58;
I 3 to 7, 59 to 65: £25
Row I 1, 2, 66, 67: £15
A limited number of seats in central row L plus E25
to 30 and F 31 to 34, may be
sold at "Premium" prices (£80) at all performances.
Dress Circle:
All seats £49.50 except:
Row A 23 to 70: £39.50
Row A 16 to 26 and 67 to 77; B 17 to 29 and 72 to 84; C 1 to 4, 50 to 53: £25
Row A 6 to 13 and 80 to 87; B7 to 14 and 87 to 94: £15
Row A 14, 15, 78, 79; B 15, 16, 85, 86: £10
On most dates throughout the year: Discounts may apply at Monday to Friday performances EXCLUDING school holiday
periods for those aged under 18 and Senior Citzens. Contact the box office for details.
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Theatre Box Office:
www.seetickets.com
provide the service for this theatre.
For this production,
www.nationaltheatre.org.uk/warhorse offers an alternative facility, with no
booking fee.
Booking fees per ticket for
online bookings:
£3.25 per seat on £80, £2.50 per seat on £49.50, £37.50 and £35 tickets until
23rd October 2010.
£2.15 on £25 and £1.25 on £25 seats until 23rd October 2010.
£3.25 per seat on £80, £2.75 per seat £49.50, £2.50 on £39.50, £2.15
on £25 and £1.25 on £15 tickets from 25th October 2010 onwards. A
£1.60 per transaction, not per ticket, service charge is also added
to all bookings from this date.
Pays for the oats, thinks the monkey. All booking fees include the
75p per ticket "restoration charge" imposed by the venue.
Other Online Choices (with
S.T.A.R. genuine ticket
agencies):
When the theatre does not have the tickets you desire available, it is well
worth trying the
Theatremonkey
Ticketshop agency, which offers £49.50
seats with a £5.75 per ticket booking fee including restoration fee until 23rd October 2010, then £4.95 on £49.50 seats from 25th
October 2010 onwards - moderate by agency standards, though higher than box
office fees, worth trying as they often have an alternative choice of seats available!
Simply select the show from the "drop down" menu in the centre of the page. Note
that this system will confirm exact seat numbers prior to purchase.
Ticketmaster.co.uk offer
£49.50 seats with
a £5.25 booking fees per ticket (£8 on £80 tickets) plus 75p per ticket restoration levy
until 23rd October 2010. A £2.50 per booking
(not per ticket) handling charge is also added.
Encore
Tickets offer £49.50 seats with a £12.50 booking fee per ticket including
restoration fee - plus optional UK postage of £1.50 per
booking, not per ticket, available if time allows. Discounts and "Meal and Show" packages may also be available.
Quality and Value
hotel / theatre ticket packages are also available.
Other Independent S.T.A.R. ticket agencies
may also offer an alternative choice of seats.
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Box Office Information: |
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Tickets offered differ between outlets. Outlets also may offer
different seats via their phone and online systems. Offers may be
available click here. |
Theatre Box Office:
Telephone: 0870
830 0200
(FREE call if using BT.com
Calling Plan at your chosen times)
Operated by See Tickets on behalf of the venue.
For this production, the National Theatre Box Office
on 020 7452 3000 offers an alternative facility, with no booking
fee.
Booking fees per ticket for telephone bookings:
£3.25 per seat on £80, £2.50 per seat on £49.50, £37.50 and £35 tickets until
23rd October 2010.
£2.15 on £25 and £1.25 on £25 seats until 23rd October 2010.
£3.25 per seat on £80, £2.75 per seat £49.50, £2.50 on £39.50, £2.15
on £25 and £1.25 on £15 tickets from 25th October 2010 onwards. A
£1.60 per transaction, not per ticket, service charge is also added
to all bookings from this date.
Pays for the oats, thinks the monkey. All booking fees include the
75p per ticket "restoration charge" imposed by the venue.
For personal callers or by post:
Drury Lane, London. WC2B 5PW
No booking fee for personal callers.
Special Access Needs Customers:
Wheelchair users and other registered disabled
theatregoers can book their seats on 020 7087 7960 or 0844 412 4648 (Minicom 020
7087 7839) and enquire about concessionary prices that may be available to them.
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Theatre Seat Opinions: |
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Please remember that cheaper seats often do not offer the same view /
location quality as top price ones, and that ticket prices are designed to
reflect this difference. |
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STALLS
The stalls is divided into front and rear sections by an
aisle in front of row E. The Dress Circle overhangs the stalls at row M,
and does not affect the view of the stage from any seat.
The front section of the theatre, rows AA to D is flexible and design
depends on production. For "War Horse" rows AA to D are present,
wrapping around a thrust stage. Central D offers the best of the views
usually.
A reader says of row A for "Warhorse" (March 2009),
"From our seats in row A of the stalls, the incredible skills of the
puppeteers could be appreciated in even more detail."
Another agrees, for the same show, SPOILER POTENTIAL:
"We were in Row A 5 and 6 so second row and on the aisle, which were
perfect seats being so close to the action with at one point having the
two Tommies sitting on the edge of the stage right by us."
The rear section of the stalls is also divided into a central and two
side sections, and is almost unchanged since "Cats" closed and the
theatre reverted back to a standard format. New seating has narrowed the
aisles slightly, and some rows have been raised a little as well,
improving sightlines further.
The centre rear block of stalls offers a good rake. Rows F 19 to 34,
G
20 to 36, H 22 to 39, I23 to 46 and J 23 to 46 are as good as centre front block
row D. There are stairwells at either end of these rows but the
view is fine.
A reader notes:
"Warning.....seats in row E are almost on the same level as seats in row
D so be prepared for a blocked view!!"
A warning worth heeding, feels the monkey, who was depressed at the
results of an experiment carried out to test this report.
Row I seats 23, 24, 45 and 46 have only gangways in front - no seats -
and, being elevated, offer a combination of prime views and comfort.
Row J seats 11 to 15 and 41 to 45 are behind stairwell walls with a bar
on the top. Thanks to generous legroom, the view is unaffected - the
distance cancels out any issue - except for those under five foot tall,
who will find the bar in front mildly annoying.
Rows J to L offer a good view at a fair price. Perhaps take the first
and last few seats in K and L second if you are shorter and are worried
by a stairwell in front, but for everyone else these rows are a must,
feels the monkey. Rows M and N feel a little further back, but still
nicely close to the thrust stage. As ever in this theatre, rows O and P,
feel a fair way from the stage due to the rake. The very ends of these two rows may be disturbed by folk clomping
up the aisle, but no good reason to miss them. The central view has been
noted as highly desirable by several readers who have commented.
In J, a reader says,
"J24 and 25: we cannot complain about either the view or comfort as
there's plenty of legroom and it gave us a great view of the stage."
A limited number of seats in central row L, plus E25
to 30 and F 31 to 34 may be
sold at "Premium" prices (£80) at all performances. Your call, feels
the monkey.
The rear section side blocks of the stalls wrap around the sides of the
theatre, curving inwards to give a good intimacy with the stage. The
only problem is sometimes in the first and last few seats - the monkey estimates
around four or so in each row can't see into the space behind the
proscenium arch. Being further back is the way to
go here and the seats nearest the centre aisle are the first to aim for
the monkey feels. Be aware that most centre block seats are priced the
same, though, and try for them first.
Well discounted, for "War Horse" (March 2009), row ends are fair
value considering price and view, to the monkey mind, but it urges
caution if buying as a "special treat." These are for the impecunious
and keen theatregoers in particular, it feels.
A reader reports for this particular show,
"Me and my two younger sisters sat in H 8, 9 and 10. These seats are
normally £35, but £25 if you’re under 18 / look a bit like you might be
under 18, at some performances. These seats were great, really close to
the stage and you still see everything even though you’re off to the
side. However, for £35, I would say it might be better to go to the
seats next door ( 5, 6, 7) and pay £10 less, or pay £10 more and sit in
the middle. My parents and older sister (can’t get away with pretending
to be under 18) sat in I 5, 6 and 7, and they said these seats were
great too, with a good view. I would say that it’s definitely worth
sitting in the stalls for this production because it’s all about
emotions and the horses, so it’s great to get a close-up view. I’d
definitely go the side seats rather than similarly priced seats in the
circle."
A reader says,
"Our group was spread among rows H, I and J and central to the stage
setting. Most agreed they were the best theatre seats we have ever had
or could possibly have. It was just like watching Cinerama for those old
enough to remember that. Absolutely central and a steep rake so all of
us had perfect unobstructed views with full peripheral vision of the
highly extended stage."
One reader reports for "War Horse" (March 2009),
"In rows J / K we felt really close to the action. Great seats...but not
cheap!. Not a problem with the seats, but marginally with the
production, is that in one scene in the second half the area immediately
in front of the front row of the stalls becomes 'the trenches,' and it's
not easy to see the actors. It doesn't really matter, but we could see
that some others in the theatre could hear the actors but couldn't work
out where they were . and when they did couldn't actually see them."
Wheelchair users have a choice. Either row N seats 1 and 2 can be
removed, for a chair to be parked, or else a normal office style chair
with arms can be placed there for wheelchair users to transfer into.
This is a pretty good viewing position as wheelchair spaces go, though
it is a bit of a shame that the old row F position has been removed - it
was that bit closer to the front. See notes for
further information.
Theatremonkey regular seat connoisseur James reports for "Imagine
This" (November 2008),
"Sat in Stalls O32 and T33. Perfect sound from here and a fantastic rake
ensures a perfect view. I thought it felt a little distant to be paying
top price and I was lucky to get them at TKTS for half price which I
thought was a very fair deal. The only shame is that the overhang of the
circle hides some of the fabulous set but you don’t miss any of the
action. Also, there are some small lights at the back of the stalls
which stay on during the performance which were a little distracting but
definitely good seats to go for, especially at discount."
and,
"K25 to K28 for “Imagine This” – excellent, unobstructed view and
perfect sound."
another reader agrees about row O for "Warhorse" (2009),
"O 31 to 33 were really very good indeed. I am over 6ft and had decent
leg room as well as a splendid view and the full effect of the lights
and sound."
another satisfied 'War Horse' visitor remarks,
"M23: Seat was absolutely brilliant, and would have gladly paid more.
The rake in the New London is very good, pretty much every seat in the
central section will be good!"
Legroom is good in most seats, slightly less in rows O to P. It is
excellent in rows D and E and row I seats 23, 24, 45 and 46.
DRESS CIRCLE
Nothing overhangs this circle. It is still a narrow shelf,
unchanged since "Cats" left, except that the side additions which
extended outwards are now gone.
The circle is split into a large central, and two side blocks, by
aisles.
A high metal bar runs across the front of the centre block of the
circle, and beyond it is a short lip of concrete before the plunge to
the stalls. The view in row A is affected by the bars but the extra concrete ahead may re-assure the
vertigo sufferer seated here a little. Those in row B may not be too
keen on the bars in view either, but it is far less and the stage is
clear beyond them.
Reader Teresa says,
"I saw 'Gone with the Wind' from the middle of row A next to the aisle.
We had a perfect view of the stage and there was a lot of space for our
legs!"
The bars at the front of the circle increases to double height at the
ends of the circle aisles. Along with the metal posts at the ends of
rows B to D, they cut into the view significantly. In fact, the monkey
rates D 1 and 44 as the two worst seats in the place - enough metal in
view to keep an orthodontist happy for years.
The central block is a narrow ledge of five well-raked rows. Choose row
C 7 to 43 or D seats 5 to 40 first. Along with row C, though, also
consider central block rear stalls at the same price too. At lower
prices, think about row A if bars are not a problem for you. Row E does
not feel too remote from the action if the bars are a problem.
A reader says of row D,
"D25.
Froze for the entire 3 hours 40 minutes running time as I sat under
an air conditioning vent."
Reader Lizzie remained warmer, and says,
"central seats are good – I think I was in Row D 25 and 26. The side
seats are possibly not so good although the way the show is performed
means there are no really bad views. Only thing to remember with the
Dress Circle is that there are a lot of stairs to negotiate to get to
your seats so not recommended for those with any problems in that area."
In the side blocks, watch again for rails blocking views - and
consider central block seats for the same top price where possible.
Well discounted, as for "War Horse" (March 2009), allowing for rails a little, really "fair value."
At the extreme sides of the theatre, not quite peering through
lighting as they were for a previous production, row A 6 to 13 / 80 - 87
and row B 7 to 14 and 87 to 94 are separate small blocks with an
adequate view for the price. Bench seats, though, so be wary if you have
back problems and arrive early to claim your bit of them. Again, well
discounted, for "War Horse" (March 2009), making them fair value.
The monkey compared the feel of this circle with that of the Olivier
auditorium at the National Theatre. If you are happy seated in rows D or
E of that theatre, then D and E here are comparable, it feels.
Just adequate legroom in all seats, much more in row A if the bars
aren't an issue with you.
Notes
944 seats, plus wheelchair places.
Air-conditioned auditorium.
Infrared headsets available. Occasional signed performances. Guide dog sitter
available. Adapted unisex toilet - sadly they could not find space to fit two,
gender segregated ones. The existing one is well equipped, though.
Access to auditorium for chair users is difficult. Users enter via the stage
door, where a portable ramp is placed over two large shallow stairs to bring
your chair down to floor level.
At this point, any chair wider than around 50cm must be surrendered; and the
occupant transferred into a small chair provided by the theatre. This is to
allow users to get into the tiny elevator up to the fourth floor. A 90 degree
turn must also be negotiated in the one - metre square elevator in order to exit
at the correct level.
On arrival at the fourth floor, access to the theatre is gained by a 50 metre
walk / push along a narrow corridor (superb view from the windows!). This
corridor also houses the adapted toilet. Entering via door 4 into the theatre is
flat and wheelchair users have a choice. Either row S seats 1 and 2 can be
removed, for a chair to be parked, or else a normal office style chair with arms
can be placed there for wheelchair users to transfer into. Wheelchair users who
can make the move are also welcome to transfer into normal theatre seats in that
area of the stalls too. The view from all available seats in that area is pretty
good, making the choice a broad one.
Specific information from
www.seetickets.com
or 0844 412 4648 or e-mail customer.relations@rutheatres.com.
A "venue access guide" from the team who created book "Theatremonkey,
A Guide to London's West End," is available to download in PDF format
by clicking here.
No food except confectionery and Ice cream.
Two bars at stalls level.
8 toilets in all; Ground floor foyer 1 gents 2 cubicles, 1 ladies 6 cubicles;
Stalls 1 gents 1 cubicle, 1 ladies 4 cubicles, 1 unisex disabled. Dress Circle 2 gents 1 cubicle
each, 2 ladies 3 cubicles each.
One reader comments of the 'Ladies' facilities in December 2007,
"The facilities on our level were along a narrow corridor with the Gents
at the far end; this meant that all the men had to push past and through
the queuing ladies - and Boy! was there a queue. Packed theatre, only 3
cubicles, one of which was out of order. By the time we emerged the
queue stretched down the stairs and they had to extend the interval to
accommodate everyone.
At another performance things were a little better, mainly because the
theatre wasn't full but this time we were on the opposite side and one
of the cubicles had a broken lock so a lot of whistling and shouting was
going on in there. Lavatories none too clean, either, the ones on Kings
Cross station on our way home were much better."
In March 2009, a reader adds,
"We agree with the comment on this site about the toilets. Completely
inadequate (ladies) and hard to get at (gents squeezing past queuing
ladies) in a new build theatre. And it made for a long interval whilst
the front of house manager ensured that everyone had got back to their
seats, although ladies in our party report 'panic' amongst other queuing
ladies that they'd miss the start. So might be an idea if management
informed the queue that they wouldn't start without them!"
Another monkeyette reader suggest in May 2009,
"If you're fed up with the queues for the
loos in the interval on the stalls and circle sections, you can get a
'pass-out' ticket from the steward and relieve yourself in the
facilities located downstairs in the foyer in the area around the back
of the escalator, where there are MANY cubicles and NO queues -
Phew!!!!"
The monkey thanks Berni, Terry and all in the box office for their
help in providing this information. Much appreciated.
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Nearest Underground Station:
Holborn - Piccadilly Line (dark blue) and Central Line (red).Plan your tube journey to this station using the button below:
A photograph illustrated version of this walking route is available by clicking
here.
For mobility impaired audience members, the Society of London
Theatre provide a "photo map" - illustrated walking route to this venue from a
near landmark and also Waterloo Station (the nearest fully accessible station)
on their website
www.officiallondontheatre.co.uk, via the theatre's listing page on that
site.
There are two exits from this station. If you see, on leaving the station, a branch of McDonalds
ahead of you on the opposite
side of the road then do not cross this road, just turn left and walk to the four
way crossroads. If you come to a three way cross roads, wrong way. If you leave the station and
see ahead of you on the other side of the road a glass building with a
"Sainsbury" sign ahead of you.... turn right
and walk to the four way crossroads a few paces away. Then... At the crossroads, Cross straight over the road and walk straight
on passing the glass "Sainsbury" building. You are now on a street
called "High Holborn". If you
pass a church or the Shaw Theatre, wrong way.
The next street you come to is Newton Street. Turn left into it and walk
along it, changing to the other side of the road when possible. Cross Macklin
Street when you come to it and continue to the next corner with Parker Street.
Turn right at this corner into Parker Street and walk straight on to the New
London Theatre, which is on the right hand side of the road.
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Buses:
1, 68, 91, 168, 171, 188, 501, 505, 521, X68 all stop on Kingsway.
Walk up Parker Street to the theatre. |
Car Park:
In Parker Street, under the theatre.
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